Learning to say NO

Well, maybe not NO, just no -- but clearly and without hesitation, and not in a panic at the last minute. Lillian Nordica, a famous American opera singer of the Gilded Age, wrote in her "Hints to Singers" (appended posthumously to her biography, Yankee Diva, written by Ira Glackens in 1963), that a career is built more upon the "no's" than the "yes's".  And I have long pondered that dictum, even if I didn't put it into practice. For years, as I worked day and night to build my singing career, if someone asked, I said yes.  [caption id="attachment_53" align="alignleft" width="150" caption="Lillian Nordica"][/caption] But several years ago, I started to observe…
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It’s only three chords…

That's what I kept telling myself as I crawled onto the bench of the tiny electric organ in the chapel at Thomas House a week ago Wednesday.   Not a digital piano with an organ setting, but a real, live  (well, mostly live) organ with pedals and stops and everything.  I was about to "stretch" myself and my musical skills, by playing an instrument for which I have no training, accompanying myself as I sang.  I was participating in my church's mission week series, EchoDC. So, I haven't played any instrument in public for over 20 years, except my voice, and I have probably never played and sang together where anyone…
Read More

Learning to say NO

Well, maybe not NO, just no -- but clearly and without hesitation, and not in a panic at the last minute. Lillian Nordica, a famous American opera singer of the Gilded Age, wrote in her "Hints to Singers" (appended posthumously to her biography, Yankee Diva, written by Ira Glackens in 1963), that a career is built more upon the "no's" than the "yes's".  And I have long pondered that dictum, even if I didn't put it into practice. For years, as I worked day and night to build my singing career, if someone asked, I said yes.  [caption id="attachment_53" align="alignleft" width="150" caption="Lillian Nordica"][/caption] But several years ago, I started to observe…
Read More

It’s only three chords…

That's what I kept telling myself as I crawled onto the bench of the tiny electric organ in the chapel at Thomas House a week ago Wednesday.   Not a digital piano with an organ setting, but a real, live  (well, mostly live) organ with pedals and stops and everything.  I was about to "stretch" myself and my musical skills, by playing an instrument for which I have no training, accompanying myself as I sang.  I was participating in my church's mission week series, EchoDC. So, I haven't played any instrument in public for over 20 years, except my voice, and I have probably never played and sang together where anyone…
Read More